A beautiful film, and one very worth seeing.
There is no way to have a genuine conversation about Gullah/Geechee culture without talking about real estate. The impact outside development has had on the barrier islands of the Lowcountry, and the people who were there before the golf courses, is huge.
The pressure is on-going; places like Hilton Head are already built up, but other islands such as Sapelo, off the coast of Georgia, are now really feeling the heat of inflated real estate prices. Couple that money with a dwindling population and it’s easy to see that the long-time residents are facing an uphill battle.
Disclaimer: it would be disingenuous of me not to mention the islands near Savannah where I grew up. I don’t know much about the history of Wilmington Island, and I can’t find much about it right now. All I can say is that it’s a middle-class, somewhat diverse place.
The other island that I lived on, Skidaway…well…not so much. It’s very much built on the Hilton Head gated-community model, complete with one of the 18 hole golf courses being named The Plantation Course. Yep, that’s not loaded imagery at all.
I’ve finished my first book about Gullah: Gullah History Along the Carolina Lowcountry by Thomas Pyatt. This slim little book is pleasurable reading; it’s like having a quirky great-uncle telling you family stories. A great first introduction to life as it once was, and still is, in Gullah communities in South Carolina.
This being my blog and all, I am expanding the scope yet again. I’m not going to keep doing that every other week, but I will whenever I feel like it. How about that for boundaries? Anyway. I’m starting a new sub-category called “Nations within Nations”. There are lots of people in this world that don’t get much press, and I’m going to try very hard to highlight some of them…
So, on to the next few weeks. I wanted to wind down the year with something a little closer to home and I was presented with the perfect subject. I guess it makes sense, but when you tell most Americans you’re reading about Georgia they don’t automatically think of a country. They think of the other one – you know: Atlanta, peaches, Gone With the Wind. I can do that; I grew up in THAT Georgia – Savannah, to be specific.
I’m going to read about the Gullah / Geechee culture, and the influence they’ve had on the Lowcountry of the American South. From Wikipedia:
The Gullah are African Americans who live in the Lowcountry region of South Carolina and Georgia, which includes both the coastal plain and the Sea Islands.Historically, the Gullah region once extended north to the Cape Fear area on the coast of North Carolina and south to the vicinity of Jacksonville on the coast of Florida; but today the Gullah area is confined to the South Carolina and Georgia Lowcountry. The Gullah people and their language are also called Geechee, which some scholars speculate is related to the Ogeechee River near Savannah, Georgia. The term “Geechee” is an emic term used by speakers (and can have a derogatory connotation depending on usage) and “Gullah” is a term that was generally used by outsiders but that has become a way for speakers to formally identify themselves and their language. The Georgia communities further identify themselves as either “Saltwater Geechee” or “Freshwater Geechee” depending on proximity to the coast.
The Gullah are known for preserving more of their African linguistic and cultural heritage than any other African-American community in the United States. They speak an English-based creole language containing many African loanwords and significant influences from African languages in grammar and sentence structure. Properly referred to as “Sea Island Creole” the Gullah language is related to Jamaican Creole, Barbadian Dialect, Bahamian Dialect, and the Krio language of Sierra Leone in West Africa. Gullah storytelling, cuisine, music, folk beliefs, crafts, farming and fishing traditions, all exhibit strong influences from West and Central African cultures.
“The Old Plantation,” South Carolina, about 1790. This famous painting shows Gullah slaves dancing and playing musical instruments derived from Africa. Scholars unaware of the Sierra Leone slave trade connection have interpreted the two female figures as performing a “scarf” dance. Sierra Leoneans can easily recognize that they are playing the shegureh, a women’s instrument (rattle) characteristic of the Mende and neighboring tribes.”